GARY STEEL has a rule about nostalgia. The rule is never to indulge in it. Let it be known that in this story he breaks his own rule about the most seminal year in his life and in music.
Gary “Stereonerd” Steel’s musings on music, movies, technology and the general state of the universe.
GARY STEEL reviews ace albums by Myele Manzanza, Faye Webster and Aldous Harding along with a few real turds. Despite its sometimes-arch over-intellectualism, Holly Herndon’s last album – 2015’s Platform – worked on its own terms as a very clever form of sliced and diced electronic pop. Sure, you […]
Snarky Puppy is a conglomeration of Grammy-winning musicians that brings vigour, life and dynamism to jazz-fusion, writes GARY STEEL
BLAST FROM THE ARSE – 1982: Fetus Productions/The Gordons Originally printed in IT magazine, April 1982: Fetus Productions – Fetus Productions (no label) This oddity, out of the blue, is heady, heavy stuff. It’s the sort of album that occasionally springs up from nowhere and really turns your head around. […]
In 1993, GARY STEEL was the editor of teen pop magazine RTR Countdown, which dared to suggest that Michael Jackson was guilty of deviant sexual behaviour just months before the first scandal broke.
In 40 YEARS IN 52 WEEKS, GARY STEEL trawls through his archives and selective memory banks to celebrate a lifetime of writing about modern music, and pens some new perspectives to mark the occasion. The subject of today’s piece: aural agony.
In 40 YEARS IN 52 WEEKS, GARY STEEL trawls through his archives to celebrate a lifetime of writing about modern music, and pens some new perspectives to mark the occasion. The subject of today’s piece: 1979.
GARY STEEL stole a dead man’s job and kept doing it for 19 long years.