Renowned more for their reliability than adventurousness, NZ digital dub group Pitch Black try a few new tricks on their new album. Reviewed by GARY STEEL
Albums
Burnt Friedman’s – Musical Traditions In Central Europe Album REVIEW
GARY STEEL renews his acquaintance with the music world of Burnt Friedman and finds it to be as exquisitely detailed as ever.
The Great Witchdoctor Q&A – Nathan Haines
Nathan Haines on Shift Left, his hi-fi, the Silver Scrolls and more…
Record Roundup
GARY STEEL reviews ace albums by Myele Manzanza, Faye Webster and Aldous Harding along with a few real turds. Despite its sometimes-arch over-intellectualism, Holly Herndon’s last album – 2015’s Platform – worked on its own terms as a very clever form of sliced and diced electronic pop. Sure, you […]
The Great Witchdoctor Blindfold Test – SJD
In Witchdoctor’s famous BLINDFOLD TEST, we invite a musician into an audiophile sound lounge and play them a provocative record selection. This time, revered Auckland-based singer-songwriter SJD visited GARY STEEL’s humble abode where he scoffed cream scones while passing comment on the mystery selection.
Nathan Haines’ Slick Fusion – 2003 Revisited
GARY STEEL is celebrating 40 years of music journalism by disintering and re-animating interviews and reviews from his fat archive. In this piece, he meets NATHAN HAINES to talk up his 2003 release, Squire For Hire.
Jan Hellriegel – Sportsman Of The Year REVIEW
Jan Hellriegel has just released the best album of her storied career, and it’s a book, too. GARY STEEL blathers about it.
Getting Carter
GARY STEEL is celebrating 40 years of music journalism by disintering and re-animating interviews and reviews from his fat archive. To honour the publication of Shayne Carter’s memoir, Dead People I Have Known, here’s Gazza’s 2001 profile on one of NZ’s greatest rock gods.