TOBY WOOLLASTON looks to the magic of cinema to shed some light on the murky waters of gender and sexuality.
Film & Television
What’s Wrong With Sky’s Injunction Against ISPs And What It Could More Productively Be Spending The Money On
PAT PILCHER has a novel idea for Sky TV and all the money it will spend convincing ISPs to police the internet.
PAT PILCHER weighs in on a broiling controversy involving Sky’s demands to internet providers and their angry response.
A lifetime chain-smoker, one day ANDREW JOHNSTONE just stopped. But that just fuelled his other passions.
America is suddenly examining its deep, worrying underbelly of racism through its cinema, writes TOBY WOOLLASTON.
Detroit is a tense, gut-churning film about one night and one event in the racially-charged United States of the 1960s writes SHELLEY SWEENEY.
Toby Woollaston views a film about one of NZ’s lesser-known but more interesting figures, and emerges from the cinema with a deeper understanding.
SHELLEY SWEENEY is not fond of rom-coms, but Home Alone busts out of the genre’s usual predicability.
Freeview launches a high-end box and some cool new ways to watch the box. Meanwhile, it’s same-old-same-old for content.
SHELLEY SWEENEY goes through a box of tissues watching the remarkable true-life story of painter Maud Lewis.
A magical and emotionally charged journey into the heart of darkness that’s the Amazon jungle, this film is a must-see, writes TOBY WOOLLASTON.