Roo Panes – Paperweights (CRC/Southbound) ALBUM REVIEW

March 15, 2016

600x600bbLIKE SO MANY 21st Century songsmiths, Roo Panes arrives with a second album that has the weight of a thousand accolades behind it, the artist already having benefited from the inarguable fact of kazillions of streaming radio and YouTube plays.

Although heโ€™s an exponent of the kind of intimate folk style that, decades after his ill-timed death, made Nick Drake a household name, heโ€™s much more marketable than that doomed manic depressive, and as a sometime model, sports the face to match.

In fact, thereโ€™s not a song here that couldnโ€™t provide down-time on CSI or any number of prime-time American TV shows, because thereโ€™s nothing in the least bit challenging about them, and despite their dressage, Panesโ€™ songs sound like they could have come out of some focus group, so devoid are they of anything but the most predictable observations. Lines like โ€œYouโ€™re like water on fireโ€, โ€œI can hear you in the whispering rainโ€, and โ€œThereโ€™s nothing for me outside your armsโ€ abound, and while Iโ€™m sure there will be legions of young women who will go weak at the knees when they hear his sandpapery voice talking just to them, art suffers.

maxresdefaultPaperweights (talk about an appropriate title for a record thatโ€™s really bereft of genuine artistic impulse) makes all the right moves – the delicate fingerpicking, the dulcet cellos, the (false) intimation of meaning โ€“ but itโ€™s all designer stubble and perfectly ripped jeans. Thereโ€™s none of the deep melancholy of a Drake, or the edge-of-hysteria brilliance of a Tim Hardin (a singer he superficially resembles).

Andrew โ€˜Rooโ€™ Panes, given the right set of songs and songwriters (and the right test group) might become a genuine phenomenon, and his moody folk stylings certainly sound agreeable on an expensive stereo. I wanted to like Paperweights, because Iโ€™ve always had a huge soft spot for folk-oriented music with an English character. Perhaps Iโ€™ll just have to stick with my Roy Harper and Donovan records. GARY STEEL

ย 

Music = 3/5

Sound = 4/5

 

[Note: Gary Steel reserves the right to reappraise and alter his star ratings up or down at any time].

 

 

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Steel has been penning his pungent prose for 40 years for publications too numerous to mention, most of them consigned to the annals of history. He is Witchdoctor's Editor-In-Chief/Music and Film Editor. He has strong opinions and remains unrepentant. Steel's full bio can be found here

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