$549
5 Stars
If youโre looking for superior sound from your in-ear โphones, then Audioflyโs near top-of-range AF160s are hard to beat for dynamics and impact, reckons Ashley Kramer.
ONE AREA OF the audio market thatโs absolutely booming is head-fi. The headphone and earphone segments seem be to a consumer wonderland of brand new and well-established brands all clamouring for dollars, which translates into more options than anyone can shake a stick at. Whatever your ear-focused aural poison, rest assured that someone is just aching to send it your way.
Thatโs a good thing of course, because brands have to try harder to stand out from the horde. One of the newer brands is Audiofly, an Australian based company. Theyโve been around since 2011, so theyโre relatively new to the world of โphones.
The $549 AF160 in-ear monitors on review here are the second from the top of the range in Audioflyโs Performance series. At that price, theyโre certainly in the premium category, but as weโll see, they have few hassles at all competing at this level.
The AF160โs are a balanced armature design using three drivers per side. Frequency range is listed as being 18-22kHz, with sensitivity rated at 110dB at 1 kHz. Theyโre available in any colour you like, as long as you only like โResin Redโ, which does admittedly look pretty damn good.
The supplied accessories include a 6.35mm adapter and an airline adapter (bravo Audiofly โ this is a must have โ why own a set of โphones like this if you donโt use them in-flight?) The little cleaning tool is another necessity, and itโs a good one, complete with a small brush, which will be very handy. Three types of ear-tips in three different sizes are included โ standard soft silicon tips, tri-flange silicon tips, and Comply premium tips are included, so itโs easy to find the best type for your ears and preferences.
Only one cable is supplied, a replaceable, over-ear 1.6m version without a built-in mic and remote, which seems like an odd omission at the price, although a mic/remote cable is available as an option. The cable is described as being โbuilt for the stage: Itโs super light twisted cable near your head, with tough Cordura fabric reinforcing the remainderโ. The fabric section is really nice โ it feels rugged, looks good and is hard to tangle, but unfortunately the lightweight braided section, like most of its ilk, ties itself in knots at the drop of a hat. Iโm not totally convinced of the durability of these brained cables but they seem to deal with day-to-day demands of earphone use well enough.
A leather carry case is supplied. Itโs quite stylish and very much in keeping with the rather Hipsteresque look and feel of the product packaging (which is itself in keeping with the premium orientation and price). But itโs huge! Certainly the biggest case Iโve seen with a set of consumer in-ear monitors โ thatโs a pain for me given Iโm always on the road, so space is at a premium but it might well be a non-issue for you.
Comfort & Isolation
The bulbous body might look a touch ungainly and blob-like but with the soft Comply foam tips, the AF160โs are amongst the most comfortable in-ear โphones Iโve ever had the pleasure of wearing. The angle and placement of the ear tips has been finely judged, and the smooth finish means that there are no annoying hot spots โ you really can wear these things for hours โ so long-haul flights or big commutes should be a non-event.
The noise isolation is also excellent, at least with the foam tips, which in my experience always offer the best overall balance between keeping the noise out and being comfortable.
Sound Quality
In short, whatโs not to like? As expected at the price point, of course the AF160โs sound good. But then again, if you dropped this much money and they didnโt, youโd be more than a little miffed. What they do however is take โgoodโ and run with it โ in fact, they sound great.
My favourite in-ear โphones of all time are my trusty Ultimate Ears Super-Fi 5 Proโs (eight years, three cables, too many flights to mention and still going strong as seen here). Theyโre not the most revealing โphones I own but they tread the fine line between letting me hear more than enough detail without being too forensic to deal with for long periods over all kinds of music. Theyโre also quite warm and have a big bottom end thatโs not overblown or out of control. Most importantly, they hit hard, making drum strikes and bass guitar notes feel powerful and realistic.
The AF160โs remind me of them in some ways, albeit without the big bass. Theyโre also quite warm, but not too much so. And theyโre revealing, especially once theyโve had a good few hours of hard running, but again, theyโre not over the top in this regard. You can dig down into the musical detail in the same way you can with any premium โphones but you wonโt be tempted to turn them down unless the recording youโre listening to is seriously bright or badly recorded. The bass from the AF160โs is interesting: the initial impression is that itโs a bit light and by no means deep enough, but thatโs only by the standards of a world where the new normal is bass-boost on max!
Spend some quality time with your favourite bass tracks and it wonโt take long to notice that thereโs more than enough bass on offer, it just hasnโt been boosted to the heavens and beyond. The AF160โs deliver enough low-down goodness to make tracks such as โYoung Men Deadโ or โManipulationโ on the amazing Passover album by The Black Angels sound deep and imposing, exactly as theyโre meant to. The AF160โs are just as happy with tracks like โDaddy Fat Saxโ from Big Boiโs Sir Lucious Left Foot: The Son of Chico Dusty or โStand Inside Your Loveโ from Smashing Pumpkinโs Rotten Apples. Unless youโve transitioned straight from bass monster headphones like Sonyโs MDR-XB920โs (review here) or Skullcandyโs somewhat mental Crusherโs (review here), you should be totally fine with the bass on offer here.
This is especially true when you take into account the AF160โs strongest suit โ the fact that they hit even harder than my Super-Fi 5 Proโs in terms of delivering sheer impact. Iโm not talking about low bass here, more the ability to make music sound and feel dramatic. The sound of a drum vigorously hitting a skin shouldnโt be a minor event, it should make you sit up and take notice. The same goes for a bass guitar. The AF160โs are so good in this regard that theyโre almost addictive. Switching back to my Logitech UE-900s in-ear monitors (review here) showed this in no uncertain terms. The Logitechโs definitely go a bit lower and theyโre much more revealing but they sound a touch flat in terms of sheer power and dynamics when compared to the AF160โs, so thatโs quite a feather in the caps for Audioflyโs design team.
The midrange and treble are very good indeed, contributing to that highly resolved yet smooth sound, and the AF160โs put on a wide and spacious soundstage, with artists and instruments sounding far less constrained and โin your headโ than in many similar โphones. Theyโre easy to drive too, running noticeably louder for the same volume setting than my Ultimate Ears UE900s in-ear monitors.
Conclusion
The only glitch I could find is the lack of a supplied mic/remote cable because thatโs become the standard way to use earphones for many, myself included, but these โphones are good enough to make that something I could overlook.
There are no real sonic weak spots to be found here โ sure there are โphones thatโll do certain things better, maybe more bass, or more top end detail, but thatโs almost always the case. Whatโs really appealing here is the balance of abilities, and the way they come together to make a smooth, seductive and non-fatiguing sound. At the end of the day, these โphones look, feel and sound like theyโre worth $549. Thatโs a lot of money for most people, but these things wonโt give anyone buyerโs remorse.
I was very seriously thinking of buying the review set but Iโve already got way too many headphones and earphones, so theyโll just have to go on the โthings Iโd like to ownโ list. ASHLEY KRAMER