The best artists – and albums – are usually exceptions to the rule. In Beatchild’s case, he’s that rare case of a smooth soul practitioner who doesn’t just fade into over-processed muck.
All the right influences are present and correct: the silky smooth seduction of the ‘70s, via Marvin Gaye and, to a lesser extent, Stevie Wonder. The rhythms take their tip from hip-hop, but it’s a deliciously intimate sound that’s comfortable pitting electronic beats against acoustic guitars and vocal harmonies.
So many albums that try for this kind of fusion fall into a dismal slop of between genre blandness, but Something Forever works. It’s a record that draws you into its sensual world and one that, I’m sure (no, I haven’t “auditioned it”) would be the perfect perfect background for a naughty night in.
Clearly, Beatchild a singer-producer who thinks beyond the limited horizons that make up so many musical communities, thus finds inspiration in many, varied and invigorating waters. GARY STEEL
Music = 4
Sound = 4

Beatchild – Something Forever (BBE/Border) CD REVIEW
Latest from Music

OMD, The Thompson Twins’ Tom Bailey, etc: LIVE REVIEW
Despite a strong aversion to such things GARY STEEL attends an ‘80s nostalgia music festival and survives to tell the tale.

Matthew Bannister’s The Dark Backward reviewed
Matthew Bannister’s latest album is packed with 15 charming songs of sneaky feelings and revealing couplets, writes GARY STEEL.

Unwind’s Embers album a healing balm
The world's in a state of chaos, right? Here's an album that will give you gentle solace, writes GARY STEEL, who reckons taking a

Becoming Led Zeppelin – Cock around the clock
GARY STEEL discusses the still-contentious “classic rock” group Led Zeppelin and their first ever so-called “documentary”.

Tom Bailey of the Thompson Twins – Witchdoctor Q&A
For a while in the mid-1980s, the Thompson Twins were the biggest thing in pop, but when Tom Bailey retired the project in the