Micachu & The Shapes – Never (Rough Trade/Rhythmethod) CD REVIEW

October 3, 2012

MICA LEVIโ€™S DEBUT studio recording, Jewellery (2009), was a challenging but engaging riot of punky electronic fun, and what came through this young composerโ€™s sound was both her sense of musicality and experimentation: sheโ€™s a classically trained graduate of the Guildhall Music & Drama School, and a DJ to boot, and the result was a gloriously energetic piece of mostly electronic genre-transgression.
Alas, three years down the line and Never consists of 14 short pieces that seldom relinquish an overbearing and glaring hash of harsh manipulated samples.
Itโ€™s probably really clever, and some might enjoy her post-riot girl punky posture โ€“ like a 21st century self-contained version of The Slits or The Raincoats.
Most of the time she mutates her voice, giving it a rippling effect, along with her mad sound effects that appears to be made up of the detritus of this digital age, giving the project a gluggy, stuck flavour similar to early sampler-based 1980s albums by that most insular of art-pop bands, The Residents.
One of the albumโ€™s conceits is that itโ€™s gloriously lo-fi, and lo-res, and I can almost sense her laughing at me, sunk into the sweet spot on the couch between my two hi-fi speakers.
On two occasions she relinquishes the artifice, and does it proper. โ€˜Fallโ€™ is refreshingly just simple guitar chords and vocals and an actual mood is struck up as a consequence. Similarly, โ€˜Nothingโ€™ almost sounds like its guitars and drums were recorded in a real room, and theyโ€™re much more engaging for it.
I like the energy, but thereโ€™s far too much going on with too little benefit, sonically or musically. GARY STEEL
Music = 3/5
Sound = 2.5/5

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Steel has been penning his pungent prose for 40 years for publications too numerous to mention, most of them consigned to the annals of history. He is Witchdoctor's Editor-In-Chief/Music and Film Editor. He has strong opinions and remains unrepentant. Steel's full bio can be found here

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