I’VE BEEN FIDDLING with โphones for a long time, ever since I started using the off-white mono in-ear numbers with the thin cable that we used to plug into FM radios back in the day. Then came the old fashioned over the ear models, usually in brown plastic and stainless steel with the obligatory sweaty leatherette earpads. These were followed by a raft of lightweight headphones on a range of cassette Walkmans (Walkmen?) before earbud style โphones took over the world of portable audio.
Since then, Iโve used everything from the most basic of giveaway el cheapos, the not much better versions supplied with portable players and a series of aftermarket models in price segments ranging from ten bucks to well over two thousand dollars (see them here). Single driver and multi driver, conventional cone and balanced armature, ear bud to in-ear, Iโve listened to heaps of them over the years. While I canโt claim to have heard them all (and no one can), Iโve heard enough to come up with a list of features that would go a long way to making the perfect set of portable โphones. These very models of the modern state of the art wouldnโt be cheap but they wouldnโt need to be range toppers either.
Replaceable Cable
Iโve previously pontificated on the virtues of replaceable cables and while I know that it adds complexity in the form of potential failure points, heavier cable gauges and multiple connectors, if itโs done right, it transforms the โphones from an expensive short to medium term consumer item loaded with โplanned obsolescenceโ feature to a long term value for money offering.
Ultimate Ears uses a simple two pin connector on its higher-end โphones that allows the cable to be replaced. My personal pair has been with me for years and is on the second replacement cable (third cable all up). They survived a year-long on the road phase where they were my primary music device and were usually wrapped around an iPod and stuffed into a pocket or backpack. Without the replacement cable, theyโd have been binned after a year or so but theyโre as good as new despite all the travel miles. Iโve never had any issues with the cable connectors coming loose; in fact, itโs hard to tell that they exist in the first place.
Multiple Eartips
The earbud style โphones supplied with most portable players are much of a muchness, providing average sound quality, vague fit and minimal noise isolation. If you canโt cut out the external noise, youโll end up cranking up the volume and thatโs a really bad idea over the long term.
So in-ear โphones are the way to go. The only problem with these is that not everyone can tolerate a set of โphones shoved deep into their ears. From an isolation and fit perspective, models with shallow insertion depths are better than the kind that sit outside, but best of all are the ones with the foam eartips that go all the way in. [Ooo-aah! – Editor of saucy double entendres].
The perfect โphones should ship with a bunch of tips made of different materials and in different shapes. Allow the user to find the set that they like: after all, the set they use at the gym or on a long-haul flight might well be different to the one they prefer when listening at home. Make the tips easy to interchange with specific replacements easily (and cheaply) available online โ the foam kind donโt last long at all, the silicone ones soldier on until theyโre lost but they eventually do go AWOL, usually on a plane, so spares are essential.
Supply a Cleaning Tool
A slightly gross โphone factoid for you – if youโre planning on sticking things in your ears, youโre going to have to deal with earwax on (and in) said things. Some people exude more wax than others but however you roll, you most certainly donโt want to let the wax build-up get out of control.
Shure and Ultimate Ears supply little tools to help scrape off the wax and ease it out if it has made its way into the recesses of the โphones. While anything pointy could be used, a paperclip for example, thereโs a danger that a heavy hand will destroy a driver, so a properly designed tool of some sort is mandatory with the perfect โphones.
Donโt Roll Off the Top
It seems that quite a few โphones are treble-shy, perhaps because the designers know that many users will be listening to either low resolution rips and downloads or horribly recorded modern music (or both). Neither option is all that inviting when heard on a set of good โphones, especially with a well extended and revealing top end, but I say โtough noogiesโ โ let the punters upgrade their music to match the quality of the playback device, donโt dumb down the playback device to match the music.
Use Multiple Drivers
Balanced Armature Drivers (BAD) have their drawbacks (see this review for more information on BAD vs. conventional drivers) but all in all, theyโre the route to the ultimate in portable fidelity. Much as I love the idea of a single driver system, with no evil crossover network to mess with the purity of the sound, the best in-ear โphones Iโve heard have made use of more than one driver. Properly implemented, they seem to offer the best balance between detail resolution and frequency extension.
Include a Hard Carry Case
A carry case is a nice touch with any set of portable โphones but should be a non-negotiable item on the perfect โphones. A crush-proof type is ideal to extend their life, ideally with enough room to drag along a spare pair of eartips and a cleaning tool in a little zip lock bag. The metal clamshell case supplied with Ultimate Ears products is dead right โ no need to reinvent this wheel.
Use a Ninety-Degree Connector
Portable players get shoved into pockets, cables get abused and having the cable sticking straight out of the player is a lousy plan because that connector is eventually going to have problems, strain reliefs not withstanding. A solidly made, low profile ninety-degree connector is a much better bet.
Go Remote
The perfect โphones have a detachable cable, right? So include two cables โ one can be the usual type, the other should be fitted with an in-line microphone and remote control for Apple products (and other smartphones and music players if their makers ever get their act together enough to come up with a common standard). While youโre at it, offer different lengths of cable as accessories.
Over the Ears Please
The most secure and best fitting designs tend to be those with a non-asymmetric cable that runs over the ears and can then be routed behind or in front of the head as the user chooses. These โphones stay in place and donโt snag as often. Just the cables go over the ears though, we donโt need a bendy plastic number to keep them there.
So thatโs my list. When do I get the prototypes? ASHLEY KRAMER
My perfect portable phones would be
1. NOT in your ear
2. Lightweight
3. Stay on your head but not clamp it like a vice
4. Small and discrete, so I don’t look even more dorkish than usual!
5. Easy to drive
6. Sound like the long lost son ofa sen800 and a grado ps1000
Nice list Frankie but I have to cut out that outside noise pollution or it drives me batty (okay – more batty). From the squealing spin class instructors at the gym to the old couple yammering away behind me on the plane, they all need to be isolated. I tried a set of active noise-cancelling ‘phones for a while but they weren’t kind to the music and were a pain to lug around on trips, so in-ear is my only real option.