WHAT IS it about Auckland that the city is suddenly producing so much self-assured acoustic-based fusion music of such tremendous quality? Like robust weeds growing in the cracks of the pavement, groups like Beyondsemble are asserting their presence with albums like thisโฆ not just the typical souvenir made by the part-time bar band, but beautiful recordings of artfully arranged and performed pieces.
In this case, four musicians Iโve never heard of with a combination of (as the liner notes state), โgypsy manouche, South American, bluegrass, Celtic and circusโ.
The instrumental mix is somewhat dominated by accordion and violin, though not to the musicโs detriment. Thereโs also generous portions of acoustic guitar, mandolin and piano, all of it performed exquisitely, with grace and lightness that makes it sound as natural as hey ho. And itโs captured beautifully by the sound engineers at York St Studios, too.
While seven of the tracks are original compositions, a further four are โour own arrangements of coversโ, and another three are listed as โtraditionalโ. Apart from the last track, โOver The Rainbowโ, none of these are spoiled by over-familiarity, and all are distinguished by the groupโs unusual acoustic makeup.
My only gripe is that, at times, it can sound a little bit too cultured, too nice, too comfy. Sometimes I wanted the music to break out with a few experimental moves, or perhaps provide a rendition of a song that nobody in their right mind would expect. GARY STEEL
Music = 3.5/5
Sound = 4/5
Beyondsemble – Beyondsemble (Ode/Rhythmethod) CD REVIEW
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