GARY STEEL actually listens all the way through a bunch of albums and has his say about them.
Devin Abrams’ last album as Pacific Heights won him the electronic music category at the NZ Music Awards. Its follow-up is a – wait for it! – concept album, explains GARY STEEL.
From the archives of oblivion: Every week GARY STEEL rescues a story from his bulging back pages. This week it’s the turn of the King of doom, Peter Hammill, one of the most fascinating figures of ’70s rock and leader of Van Der Graaf Generator. Rock history is littered […]
Don’t worry, it’s the 21st Century, it’s okay to like pop music and weird shit too, writes GARY STEEL.
In his ongoing series From The Archives Of Oblivion, GARY STEEL digs up old stuff and reanimates it just because he can. Here’s the story Steel wrote after having a nice long chat with the genuinely legendary Robert Wyatt.
Dudley Benson’s Zealandia starts and ends with the sound of crickets, but it’s what’s in between that really sends GARY STEEL
Not bad at all, writes GARY STEEL about the debut album by Aussie electronic duo Bad French, whose musical and lyrical sophistication surprises and delights.
Three legendary artists reviewed, a double album, a triple album and a seven-disc box set of rare gems.
Back in the early 1980s Alms For Children turned into This Sporting Life and then disappeared before many even knew about them. Now, at last, there’s a compilation to memorialise them, writes GARY STEEL
In which that old sourpuss GARY STEEL bends his tattered ears in the direction of his Dad-rock wind-up gramophone to assess a selection of the latest sounds.
The mega rap phenomenon Drake has just released another record-breaking album, and its awfulness is an indictment on our lame acceptance of shit, writes GARY STEEL
Was the rock revolution really ground zero for music? GARY STEEL admits the error of his ways.