McLaren is anything but just another film about a car-racing driver, writes ANDREW JOHNSTONE
Film & Television
There are cop shows and there are cop shows. Line Of Duty is a one-of-a-kind cop show, according to ANDREW JOHNSTONE.
Sci-fi fan ANDREW JOHNSTONE reckons there’s been nothing to aspire to the greatness of Star Trek. Until Defiance, that is.
Cinema attendance is at an all-time low, and PAT PILCHER reckons he knows why.
ANDREW JOHNSTONE explains how a genius Japanese animator changed his life.
The Handmaid’s Tale is a horrible television series that everyone needs to see, writes ANDREW JOHNSTONE.
Are the best films from Hollywood’s Golden Age still relevant? ANDREW JOHNSTONE on Spencer Tracy and Orson Welles.
TV. Drug of a nation. How has it changed? Is it still a thing? Have we all got 4K screens yet? And what’s just around the bend? Looking for insight, PAT PILCHER interviews Samsung’s Adam McElroy.
ANDREW JOHNSTONE loves Paul Giamatti. Witchdoctor loves Paul Giamatti. Everyone should love Paul Giamatti. Read on to find out about his latest role…
No-one to watch Rogue One with? Maybe you need Sphero’s BB8 to keep you company, writes PAT PILCHER.
ANDREW JOHNSTONE on zombies, existential dread and The Girl With All The Gifts.
Iceland has fewer people than Wellington, but that hasn’t stopped them from making a gripping, claustrophobic police drama, writes ANDREW JOHNSTONE.